https://prahranlegacy.org/2024/06/21/the-alumni-susan-russell/https://prahranlegacy.org/wp-content/uploads/2024/06/image-5.pngimagehttps://prahranlegacy.org/wp-content/uploads/2024/06/toppic-thigh-split.jpgtoppic thigh splithttps://prahranlegacy.org/wp-content/uploads/2024/06/toppic-thigh-blue.jpgtoppic thigh bluehttps://prahranlegacy.org/wp-content/uploads/2024/06/image-11.jpegimageFaçade of the BSR, 2023https://prahranlegacy.org/wp-content/uploads/2024/06/victoriancollections-large-10.jpgVictorianCollections-large-10Letter, F.W. Cheshire Pty Ltd, A Fabinyi (F W Cheshire) to Robin Boyd, 07.01.1963https://prahranlegacy.org/wp-content/uploads/2024/06/k1000.jpgK1000https://prahranlegacy.org/wp-content/uploads/2024/06/image-10.jpegimageHerman van SWANEVELT (1649 ) Thunderstorm, oil on wood 47.8 × 64.9. Department of International Painting. National Gallery of Victoria, Melbournehttps://prahranlegacy.org/wp-content/uploads/2024/06/image-9.jpegimagehttps://prahranlegacy.org/wp-content/uploads/2024/06/mm_18170.800x800.jpgMM_18170.800x800Shoes for the character of one of the Ugly Sisters. Costumes designed by Kristian Fredrikson for The Australian Ballet's "Cinderella," 1972. Pair of female shoes with painted white upper and red heels. https://prahranlegacy.org/wp-content/uploads/2024/06/screenshot-2024-06-21-at-1.36.15-pm.pngScreenshot 2024-06-21 at 1.36.15 pmCover: thigh . prahran college of thighology. src pub . august 692026-03-28T01:51:50+00:00monthlyhttps://prahranlegacy.org/2026/03/10/friends-michael-silver/https://prahranlegacy.org/wp-content/uploads/2026/03/michael-2024-fl.jpgMichael 2024 FLJames McArdle (August 2024) Michael at his retrospective, MAGNET Galleries https://prahranlegacy.org/wp-content/uploads/2026/03/michael-at-his-retrospective-august-2024.jpgMichael at his retrospective August 2024James McArdle (August 2024) Michael at his retrospective, MAGNET Galleries 2026-03-11T10:25:29+00:00monthlyhttps://prahranlegacy.org/2026/01/27/the-critics-freda-freiberg/https://prahranlegacy.org/wp-content/uploads/2026/01/freiberg-port_eh.jpgFreiberg port_ehhttps://prahranlegacy.org/wp-content/uploads/2026/01/freiberg-port.jpgFreiberg porthttps://prahranlegacy.org/wp-content/uploads/2026/01/image-3.jpegimageBill Henson (1996) Melbourne International Festival of Art, Melbournehttps://prahranlegacy.org/wp-content/uploads/2026/01/image-2.jpegimageJanina Green (1996) Untitled, from the Plantation series. Hand coloured silver gelatin print, 84 x 104 cm, Latrobe Regional Gallery Collection, gift of the artist, 1997.https://prahranlegacy.org/wp-content/uploads/2026/01/patrick-white-1984-1987.jpegPatrick White 1984, 1987Brendan Hennessy (1984) Patrick White, printed 1987https://prahranlegacy.org/wp-content/uploads/2026/01/screenshot-2026-01-26-at-8.55.06-pm.pngScreenshot 2026-01-26 at 8.55.06 pmFace Value: Portraits from the Collection, Waverley City Gallery, with Brendan Hennessy portrait of Patrick White at lower lefthttps://prahranlegacy.org/wp-content/uploads/2026/01/image.pngimageMichael Powell’s Peeping Tom secured its cult status when in 1960, hostile reviewers and panicky distributors famously sank this film and it became mere rumour, a forbidden text.https://prahranlegacy.org/wp-content/uploads/2026/01/image-1.jpegimageLeah King-Smith. Courtesy National Portrait Gallery https://prahranlegacy.org/wp-content/uploads/2026/01/image.jpegimageLeah KING-SMITH 'Untitled', 1991, from the series 'Patterns of Connection', C-type photograph, 105 x 100cm. HRAG Collection, purchased through the HRAG Trust Fund with assistance from the Victorian Regional Galleries Art Foundation Trust Fund, 1992. Image courtesy of the artist.https://prahranlegacy.org/wp-content/uploads/2026/01/mcardle-james_-jeremys_stubborness_1990.jpgMcArdle, James_ Jeremy's_Stubborness_1990James McArdle (1990) Jeremy's Stubborness. Selenium toned silver gelatin print2026-01-28T06:40:34+00:00monthlyhttps://prahranlegacy.org/2024/01/28/the-alumni-rod-mcnicol/2026-01-27T11:11:24+00:00monthlyhttps://prahranlegacy.org/2024/01/03/the-alumni-greg-neville/2026-01-26T04:14:11+00:00monthlyhttps://prahranlegacy.org/2025/11/25/review-fill-the-frame/https://prahranlegacy.org/wp-content/uploads/2025/11/image-12-e1764045843249.pngimagehttps://prahranlegacy.org/wp-content/uploads/2025/11/image-11.pngimagehttps://prahranlegacy.org/wp-content/uploads/2025/11/image-10.pngimagehttps://prahranlegacy.org/wp-content/uploads/2025/11/image-9.pngimagehttps://prahranlegacy.org/wp-content/uploads/2025/11/image-8.pngimagehttps://prahranlegacy.org/wp-content/uploads/2025/11/image-7.pngimagehttps://prahranlegacy.org/wp-content/uploads/2025/11/image-6.pngimagehttps://prahranlegacy.org/wp-content/uploads/2025/11/image-5.pngimagehttps://prahranlegacy.org/wp-content/uploads/2025/11/image-4.pngimagehttps://prahranlegacy.org/wp-content/uploads/2025/11/image-3.pngimage2025-11-25T04:55:36+00:00monthlyhttps://prahranlegacy.org/2024/04/24/the-lecturers-athol-shmith/2025-11-06T21:58:06+00:00monthlyhttps://prahranlegacy.org/2025/10/21/the-alumni-visibility/https://prahranlegacy.org/wp-content/uploads/2025/10/strong-review-1982.jpgScreenshotGeoff Strong (1982) 'Filling the vacuum', review of gallery offerings of photography. The Age, 20 September 1982https://prahranlegacy.org/wp-content/uploads/2025/10/image-1.pngimageRuth Maddison (1984) Trade workshop for girls, Preston TAFEhttps://prahranlegacy.org/wp-content/uploads/2025/10/de105825.jpgDe105825Ruth Maddison (1984) Prison Officers, Pentridge, gelatin silver photograph printed 1987, 26.7 × 26.7 cm. National Gallery of Victoria, Melbourne Purchased from Admission Funds, 1987https://prahranlegacy.org/wp-content/uploads/2025/10/henderson-reveiw-.jpgScreenshotAnthony Clarke (1983) 'A photographer opens the door on ageing', review of The Age, 8 October 1983, p.15https://prahranlegacy.org/wp-content/uploads/2025/10/industrial-woman-review.jpgScreenshotKaren Cook (1982) 'On the shop floor: the unglamorous women at work', review of Industrial Woman, The Age, 9 April 1983, p.10https://prahranlegacy.org/wp-content/uploads/2025/10/strong-review-.jpgScreenshotAnthony Clarke (1982) 'Observing our absurdities' review of 'Adventures in Paradox' by Geoff Strong, 14 The Age, Thursday 14 October 1982, p.14https://prahranlegacy.org/wp-content/uploads/2025/10/image.pngimageJohn Gollings (1978) Death Valley California #2a . Previously exhibited 1981 in ‘Death Valley’ Australian Centre for Photography, Sydneyhttps://prahranlegacy.org/wp-content/uploads/2025/10/screenshot-2025-10-21-at-4.32.09-pm.pngScreenshot 2025-10-21 at 4.32.09 pmPeter Lyssiotis (1979) If life is something then it must be in something, from the series Industrial woman, gelatin silver print 16.8 x 11.8 cm. Museum of Australian Photography, City of Monash Collection donated by David Rosenthal 2016https://prahranlegacy.org/wp-content/uploads/2025/10/screenshot-2025-10-21-at-4.27.00-pm.pngScreenshot 2025-10-21 at 4.27.00 pmViv Mehes (1981) A Melbourne textile factory, gelatin silver print 20.0 x 29.7 cm. Museum of Australian Photography, City of Monash Collection donated by David Rosenthal 2016https://prahranlegacy.org/wp-content/uploads/2025/10/preview-9.jpegpreview-9Martin Lacis (1978) Untitled (Seated woman in flowing clothes), gelatin silver photograph 17.5 h x 11.4 w cm. Gift of the Philip Morris Arts Grant 1982. National Gallery of Australia, Canberra.2025-10-21T21:50:45+00:00monthlyhttps://prahranlegacy.org/2024/05/22/the-alumni-peter-leiss-2/https://prahranlegacy.org/wp-content/uploads/2024/05/screenshot-2025-10-14-at-3.27.37-pm.pngScreenshot 2025-10-14 at 3.27.37 pmPeter Leiss illustration of Michael Wilmington review in The Los Angeles Times, 27 August 1993, p.F16https://prahranlegacy.org/wp-content/uploads/2024/05/screenshot-2025-10-14-at-3.19.34-pm.pngScreenshot 2025-10-14 at 3.19.34 pmThe Age, 28 April 1993, p.192025-10-14T06:52:50+00:00monthlyhttps://prahranlegacy.org/2025/04/14/discussion-lambeth-interviewed/https://prahranlegacy.org/wp-content/uploads/2025/05/within-sight-18_orig.jpgwithin-sight-18_origPAUL LAMBETH (2024) from the series Within Sighthttps://prahranlegacy.org/wp-content/uploads/2025/05/within-sight-8_orig.jpgwithin-sight-8_orighttps://prahranlegacy.org/wp-content/uploads/2025/05/within-sight-5_orig.jpgwithin-sight-5_origPaul Lambethhttps://prahranlegacy.org/wp-content/uploads/2025/05/within-sight-6_orig.jpgwithin-sight-6_orighttps://prahranlegacy.org/wp-content/uploads/2025/05/within-sight-15_orig.jpgwithin-sight-15_orighttps://prahranlegacy.org/wp-content/uploads/2025/05/within-sight-10_orig.jpgwithin-sight-10_origPaul Lambeth (2024) from the series Within Sighthttps://prahranlegacy.org/wp-content/uploads/2025/05/within-sight-7_orig.jpgwithin-sight-7_origPaul Lambeth (2024) from the series Within Sighthttps://prahranlegacy.org/wp-content/uploads/2025/05/within-sight-16_orig.jpgwithin-sight-16_origPaul Lambeth (2024) from the series Within Sighthttps://prahranlegacy.org/wp-content/uploads/2025/05/within-sight-4-2024_orig.jpgwithin-sight-4-2024_orighttps://prahranlegacy.org/wp-content/uploads/2025/05/within-sight-11_orig.jpgwithin-sight-11_orig2025-09-20T07:03:21+00:00monthlyhttps://prahranlegacy.org/2023/12/13/the-art-of-connection/https://prahranlegacy.org/wp-content/uploads/2023/12/book_narr.jpgbook_narrhttps://prahranlegacy.org/wp-content/uploads/2023/12/bifb-long-ashton-flip.jpgScreenshotScreenshothttps://prahranlegacy.org/wp-content/uploads/2023/12/book.jpgbookhttps://prahranlegacy.org/wp-content/uploads/2023/12/screenshot-2025-08-11-at-8.21.48-pm.pngScreenshot 2025-08-11 at 8.21.48 pm2025-08-27T10:36:04+00:00monthlyhttps://prahranlegacy.org/2025/08/26/long-exposure/https://prahranlegacy.org/wp-content/uploads/2025/08/img_1467.jpgIMG_1467https://prahranlegacy.org/wp-content/uploads/2025/08/img_1427.jpgIMG_1427Lorena Carrington (24 August 2025) Michael and audiencehttps://prahranlegacy.org/wp-content/uploads/2025/08/img_1445.jpgIMG_1445Lorena Carrington (24 August 2025) Michael and audiencehttps://prahranlegacy.org/wp-content/uploads/2025/08/img_4478.jpgIMG_4478Lorena Carrington (24 August 2025) Ilana Rose directs the group photographs while others steal her shothttps://prahranlegacy.org/wp-content/uploads/2025/08/the-age-friday-august-01-2014-focus-20.jpgThe Age | Friday, August 01, 2014 | Focus | 20https://prahranlegacy.org/wp-content/uploads/2025/08/the-age-friday-august-01-2014-focus-21.jpgThe Age | Friday, August 01, 2014 | Focus | 21https://prahranlegacy.org/wp-content/uploads/2025/08/de101909.jpgDe101909Athol Shmith (c. 1952, dated 1947) No title (Fashion illustration. Model Patricia Tuckwell), gelatin silver photograph. National Gallery of Victoria, purchased through The Art Foundation of Victoria with the assistance of The Ian Potter Foundation, Governor, 1989, Estate of Athol Shmithhttps://prahranlegacy.org/wp-content/uploads/2025/08/michael-baby.jpgMichael babyUnknown Sydney Morning Herald photographer (1950) Captioned "Athol Shmith, his wife "Bambi" Tuckwell and son Michael. That little camera is really a cigarette lighter."https://prahranlegacy.org/wp-content/uploads/2025/08/24825_bifb-54_sm.jpgLong Exposure opening BIFBIlana Rose (24 August 2025) Michael speakshttps://prahranlegacy.org/wp-content/uploads/2025/08/24825_bifb-59_sm.jpgLong Exposure opening BIFBIlana Rose (24 August 2025) Michael speaks2025-08-26T22:48:11+00:00monthlyhttps://prahranlegacy.org/2025/08/20/the-alumni-lisa-walker/https://prahranlegacy.org/wp-content/uploads/2025/08/slowcurtain.jpgslowcurtainLisa Walker (2024) Slow Curtain, onsite projectionhttps://prahranlegacy.org/wp-content/uploads/2025/08/mysl.jpgMySLhttps://prahranlegacy.org/wp-content/uploads/2025/08/salon-install-temple-1999.jpgSalon install Temple 1999Lisa Walker (1999) Installation view, Salon, Temple Studios, Melbournehttps://prahranlegacy.org/wp-content/uploads/2025/08/from-salon.jpgfrom SalonLisa Walker (1999) Untitled, from Salon, Temple Studios, Melbournehttps://prahranlegacy.org/wp-content/uploads/2025/08/mystilllife2_lisawalker.jpegMyStillLife2_LisaWalkerLisa Walker (2017) from My Still Lifehttps://prahranlegacy.org/wp-content/uploads/2025/08/mystilllife1_lisawalker.jpegMyStillLife1_LisaWalkerLisa Walker (2017) from My Still Lifehttps://prahranlegacy.org/wp-content/uploads/2025/08/lucid-dreaming-at-the-disco-2023-acrylic-digital-prints-on-paper-1.pngLisa Walker (2023) Lucid Dreaming at the Disco. Acrylic, digital prints on paperLisa Walker (2023) Lucid Dreaming at the Disco. Acrylic, digital prints on paperhttps://prahranlegacy.org/wp-content/uploads/2025/08/all-in-your-head-2023-acrylic-digital-prints-on-paper-1.pngLisa Walker (2023 ) All in Your Head. Acrylic, digital prints on paperLisa Walker (2023 ) All in Your Head. Acrylic, digital prints on paperhttps://prahranlegacy.org/wp-content/uploads/2025/08/screenshot-2025-08-18-at-8.43.39-pm.pngScreenshot 2025-08-18 at 8.43.39 pmhttps://prahranlegacy.org/wp-content/uploads/2025/08/colour-blind.jpgColour Blind2025-08-23T10:29:16+00:00monthlyhttps://prahranlegacy.org/2025/08/15/the-alumni-naomi-herzog/https://prahranlegacy.org/wp-content/uploads/2025/08/realtime.issue-29-feb-mar-1999.jpgScreenshotRealtime.Issue 29 (Feb-Mar 1999)https://prahranlegacy.org/wp-content/uploads/2025/08/26-realtime-28-onscreen-december-1998-january-1999.jpgScreenshotCate Jones (1998) Review Old binarisms, new media. Realtime/onscreen December-1998-January-1999, p.26https://prahranlegacy.org/wp-content/uploads/2025/08/screenshot-2025-08-15-at-9.18.52-pm.pngScreenshot 2025-08-15 at 9.18.52 pmLONG Exposure: Legacy of Prahran College ISBN 9870 9872 498 2 1 Merle Hathaway: Curator/ Editorial Coordinator (EC) James McArdle: Editor/ EC Mimmo Cozzolino: Publication designer/EC Ilana Rose: EC Colin Abbott: EC Philip Quirk: EC This book is published by The Prahran Legacy Project Curatorial Team, Melbourne, Australia: Prahranlegacy.org First published 2025 under the auspices of the Ballarat International Foto Biennale.https://prahranlegacy.org/wp-content/uploads/2025/08/orr-herzog-heat.jpgScreenshotHEAT RMIT Gallery, Melbourne, 2008 https://prahranlegacy.org/wp-content/uploads/2025/08/orr-herzog-hear-32-33.jpgScreenshotHEAT RMIT Gallery, Melbourne, 2008 https://prahranlegacy.org/wp-content/uploads/2025/08/the_age_1998_03_07_page_162.jpgThe Age (Melbourne, Victoria, Australia) · Sat, 7 Mar 1998 · PMelissa Fyfe (1998) But is it art? Cation: Skullduggery: artist Naomi Herzog took her brooding photography and some inspiration from the Mike Nichols film Who's Afraid of Virginia Woolf?, and combined them in an interactive CD-ROM, Mined Feelds. The heads pierced with forks are a metaphor for dependency and destruction in male/female relationshipshttps://prahranlegacy.org/wp-content/uploads/2025/08/the_age_1997_10_28_page_44-1.jpgThe Age (Melbourne, Victoria, Australia) · Tue, 28 Oct 1997 ·Jenny Sinclair (1997) Art with a 'full-body mouse'. The Age 28 October 1997https://prahranlegacy.org/wp-content/uploads/2025/08/circuspix.jpgcircuspixNaomi Herzog Trapeze artistshttps://prahranlegacy.org/wp-content/uploads/2025/08/circuspix2.jpgcircuspix2Naomi Herzog Self portrait and trapeze artistshttps://prahranlegacy.org/wp-content/uploads/2025/08/image.pngimageNaomi Herzog (2024) Harry Nankin2025-08-15T23:28:25+00:00monthlyhttps://prahranlegacy.org/2024/08/14/about/https://prahranlegacy.org/wp-content/uploads/2024/08/q2-1.jpgQ22025-07-08T12:05:04+00:00monthlyhttps://prahranlegacy.org/2025/06/05/the-lecturers-norbert-loeffler/https://prahranlegacy.org/wp-content/uploads/2025/06/st-albans-high-school-staff-photo-1967-or-68-e1749710136101.jpegSt Albans High School staff photo 1967 or '68St Albans High School staff photo 1968. Sandra at centre.https://prahranlegacy.org/wp-content/uploads/2025/06/screenshot-2025-06-05-at-3.13.03-pm.pngScreenshot 2025-06-05 at 3.13.03 pmJackson Pollock (1948) Number 1A, 1948, titled Number 1 when first exhibited in 1949. Museum of Modern Arthttps://prahranlegacy.org/wp-content/uploads/2025/06/image.pngimageEnglish-Irish scholar Joseph Burke was an expert in English art of the eighteenth century, and established University of Melbourne's Department of Fine Arts, the first in Australia, and was its head for 32 years, until his retirement in 1979.https://prahranlegacy.org/wp-content/uploads/2025/06/image-3.jpegimagehttps://prahranlegacy.org/wp-content/uploads/2025/06/berger-7-man.jpgBerger 7 manBerger, John, and Jean Mohr. 1975. A Seventh Man a Book of Images and Words About the Experience of Migrant Workers in Europe. Harmondsworth/Middlesex: Penguin Books.https://prahranlegacy.org/wp-content/uploads/2025/06/norbert-at-maph.jpgNorbert at MAPhJames McArdle (3 May 2025) Norbert Loeffler lectures at MAPhhttps://prahranlegacy.org/wp-content/uploads/2025/06/image-2.jpegimagehttps://prahranlegacy.org/wp-content/uploads/2025/06/vcp-announce.jpgVCP announceA2 poster (found by @catlincatlincatlin) from 1986 poster announcing The Victorian Centre for Photographyhttps://prahranlegacy.org/wp-content/uploads/2025/06/australia-council.-visual-arts-board.-regional-development-program-1982.-exhibition-10-the-collage-show.-regional-development-program-visual-arts-board-sydney.jpgAustralia Council. Visual Arts Board. Regional Development Program (1982). Exhibition 10-the collage show. Regional Development Program, Visual Arts Board, Sydneyhttps://prahranlegacy.org/wp-content/uploads/2025/06/the-collage-show-by-10-artists-exhibition-institute-of-modern-art-1983-1.pngThe Collage Show by 10 Artists exhibition, Institute of Modern Art, 19832025-06-12T06:51:12+00:00monthlyhttps://prahranlegacy.org/2025/04/06/the-basement-lectures-1/https://prahranlegacy.org/wp-content/uploads/2025/04/lippard-at-paton2.jpgScreenshotScreenshothttps://prahranlegacy.org/wp-content/uploads/2025/04/ennis-applause.jpgEnnis applausehttps://prahranlegacy.org/wp-content/uploads/2025/04/awp.jpg.webpawp.jpghttps://prahranlegacy.org/wp-content/uploads/2025/04/lippard-at-paton.jpgScreenshotSue Ford (September 1975) Lucy Lippard addresses a women-only lecture In the George Paton Gallery https://prahranlegacy.org/wp-content/uploads/2025/04/ennis-speaks.jpgEnnis speaksJames McArdle (15 March 2025) Helen Ennis speaks at MAPhhttps://prahranlegacy.org/wp-content/uploads/2025/04/charles_bayliss-.jpegCharles_Baylisshttps://prahranlegacy.org/wp-content/uploads/2025/04/image.pngimagehttps://prahranlegacy.org/wp-content/uploads/2025/04/dupain-book.jpgDupain book2025-06-01T04:30:50+00:00monthlyhttps://prahranlegacy.org/2025/05/19/the-alumni-peter-leiss/https://prahranlegacy.org/wp-content/uploads/2025/05/abheader3.jpgScreenshotScreenshothttps://prahranlegacy.org/wp-content/uploads/2023/12/abheader2.jpgScreenshotScreenshot2025-05-19T10:14:33+00:00monthlyhttps://prahranlegacy.org/2025/05/05/review-of-the-basement/https://prahranlegacy.org/wp-content/uploads/2025/05/image-4.pngimageInstallation view of The basement: photography from Prahran College (1968–1981), 2025. Courtesy of Museum of Australian Photography.https://prahranlegacy.org/wp-content/uploads/2025/05/image-3.pngimageInstallation view of The basement: photography from Prahran College (1968–1981), 2025. Courtesy of Museum of Australian Photography.https://prahranlegacy.org/wp-content/uploads/2025/05/image-3.jpegimageChelsea Hopper is a writer and independent curator currently completing her masters degree in Art History and Curatorial Studies at the Australian National University, Canberra.2025-05-05T22:30:11+00:00monthlyhttps://prahranlegacy.org/2025/05/02/the-alumni-chris-beck/https://prahranlegacy.org/wp-content/uploads/2025/05/the_age_1997_10_04_page_155.jpgThe Age (Melbourne, Victoria, Australia) · Sat, 4 Oct 1997 · P'On the Couch with Chris Beck' The Age 4 Oct 1997https://prahranlegacy.org/wp-content/uploads/2025/05/prahran-logo-r_beck.jpgScreenshotChris Beck (1968) Prahran logohttps://prahranlegacy.org/wp-content/uploads/2025/05/dogs-and-lovers-cover_rt.jpgDogs and Lovers cover_rtChris Beck (2000) Dogs and Lovers, Soho Media. ISBN 9780646388946https://prahranlegacy.org/wp-content/uploads/2025/05/richard-and-mousse-dogs-and-lovers_rt.jpgRichard and Mousse Dogs and Lovers_rtChris Beck (1970s) Richard Beck with dog Mousse. Chris writes in Platform, Issue 4, October 2009 "The shared experiences between people and dogs make for a life the dogless can only dream about: a walk in the park, a run along the beach, a snuggle on the couch on a rainy afternoon, the sharing of snacks, the laughing at each other's jokes (sight gags), the naps together (no fidgeting). The fun and games-ball throwing, stick tossing, bird chasing, kite demolishing, shoe chewing, sausage stealing foster a connection second to none.https://prahranlegacy.org/wp-content/uploads/2025/05/mum-and-dad-kissing_rt.jpgmum and dad kissing_rtChris Beck (n.d.) Mum and Dad kiss.https://prahranlegacy.org/wp-content/uploads/2025/05/david-argue_topsq2.jpgDavid Argue_topSq2https://prahranlegacy.org/wp-content/uploads/2025/05/beck-book-1.jpgBeck bookhttps://prahranlegacy.org/wp-content/uploads/2025/05/richard-and-mousse-dogs-and-lovers.jpgRichard and Mousse Dogs and Lovershttps://prahranlegacy.org/wp-content/uploads/2025/05/dogs-and-lovers-cover.jpgDogs and Lovers coverhttps://prahranlegacy.org/wp-content/uploads/2025/05/mum-and-dad-kissing.jpgmum and dad kissing2025-08-26T10:53:16+00:00monthlyhttps://prahranlegacy.org/2025/05/05/a-new-exhibition/https://prahranlegacy.org/wp-content/uploads/2025/05/4525_prahran-55.jpgThe Prahran Legacy, Beyond the Basement launch Magnet GalleriesThe Prahran Legacy, Beyond the Basement launch Magnet Gallerieshttps://prahranlegacy.org/wp-content/uploads/2025/05/4525_prahran-48.jpgThe Prahran Legacy, Beyond the Basement launch Magnet GalleriesThe Prahran Legacy, Beyond the Basement launch Magnet Gallerieshttps://prahranlegacy.org/wp-content/uploads/2025/05/4525_prahran-41.jpgThe Prahran Legacy, Beyond the Basement launch Magnet GalleriesThe Prahran Legacy, Beyond the Basement launch Magnet Gallerieshttps://prahranlegacy.org/wp-content/uploads/2025/05/4525_prahran-37.jpgThe Prahran Legacy, Beyond the Basement launch Magnet GalleriesThe Prahran Legacy, Beyond the Basement launch Magnet Gallerieshttps://prahranlegacy.org/wp-content/uploads/2025/05/4525_prahran-35.jpgThe Prahran Legacy, Beyond the Basement launch Magnet GalleriesThe Prahran Legacy, Beyond the Basement launch Magnet Gallerieshttps://prahranlegacy.org/wp-content/uploads/2025/05/4525_prahran-34.jpgThe Prahran Legacy, Beyond the Basement launch Magnet GalleriesIlana Rose (2025) James McArdle speaks at the launchhttps://prahranlegacy.org/wp-content/uploads/2025/05/4525_prahran-28.jpgThe Prahran Legacy, Beyond the Basement launch Magnet GalleriesThe Prahran Legacy, Beyond the Basement launch Magnet Gallerieshttps://prahranlegacy.org/wp-content/uploads/2025/05/4525_prahran-26.jpgThe Prahran Legacy, Beyond the Basement launch Magnet GalleriesThe Prahran Legacy, Beyond the Basement launch Magnet Gallerieshttps://prahranlegacy.org/wp-content/uploads/2025/05/4525_prahran-46.jpgThe Prahran Legacy, Beyond the Basement launch Magnet GalleriesThe Prahran Legacy, Beyond the Basement launch Magnet Gallerieshttps://prahranlegacy.org/wp-content/uploads/2025/05/4525_prahran-63.jpgThe Prahran Legacy, Beyond the Basement launch Magnet GalleriesThe Prahran Legacy, Beyond the Basement launch Magnet Galleries2025-05-05T06:32:08+00:00monthlyhttps://prahranlegacy.org/2025/04/28/beyond-the-basement-a-new-exhibition/https://prahranlegacy.org/wp-content/uploads/2025/04/stella-sallman.jpegStella SallmanStella Sallman (2028) I’ll Show You Who’s Boss Melbourne. Edition 1/5https://prahranlegacy.org/wp-content/uploads/2025/04/poppy-king-by-chris-beck-e1746176216112.jpegPoppy King by chris beckChris Beck (1990s) Poppy King, for 'On the Couch' series in The Agehttps://prahranlegacy.org/wp-content/uploads/2025/04/carolyn_lewens_cyano_photogram_filamentous.jpgCarolyn_Lewens_Cyano_photogram_Filamentoushttps://prahranlegacy.org/wp-content/uploads/2025/04/img_5809.jpegIMG_5809Linda Jullyan (1991, ongoing) Witness. Black & white printed on Ilford Gold Fibre gloss. Edition 1/15https://prahranlegacy.org/wp-content/uploads/2025/04/screenshot-2025-04-28-at-7.40.51-pm.pngScreenshot 2025-04-28 at 7.40.51 pmhttps://prahranlegacy.org/wp-content/uploads/2025/04/image-1.pngimagehttps://prahranlegacy.org/wp-content/uploads/2025/04/mg_prahranlegacy_a1poster72_irose.jpgMG_PrahranLegacy_A1Poster72_iRosehttps://prahranlegacy.org/wp-content/uploads/2025/04/mg_prahranlegacy_a1poster72_plambeth.jpgMG_PrahranLegacy_A1Poster72_pLambethhttps://prahranlegacy.org/wp-content/uploads/2025/04/mg_prahranlegacy_a1poster72_pkelly.jpgMG_PrahranLegacy_A1Poster72_pKellyhttps://prahranlegacy.org/wp-content/uploads/2025/04/mg_prahranlegacy_a1poster72_cdewater.jpgMG_PrahranLegacy_A1Poster72_cdeWater2025-04-29T22:30:26+00:00monthlyhttps://prahranlegacy.org/2025/02/28/happening/https://prahranlegacy.org/wp-content/uploads/2025/02/screenshot-2025-02-28-at-9.21.52e280afpm.pngScreenshot 2025-02-28 at 9.21.52 PMhttps://prahranlegacy.org/wp-content/uploads/2025/02/screenshot-2025-02-28-at-9.14.16e280afpm.pngScreenshot 2025-02-28 at 9.14.16 PMhttps://prahranlegacy.org/wp-content/uploads/2025/02/screenshot-2025-02-28-at-9.15.04e280afpm.pngScreenshot 2025-02-28 at 9.15.04 PM2025-04-28T05:42:47+00:00monthlyhttps://prahranlegacy.org/2025/04/25/epoch/https://prahranlegacy.org/wp-content/uploads/2025/04/graham.jpgGrahamhttps://prahranlegacy.org/wp-content/uploads/2025/04/graham-his-flat-rear-of-471-nicholson-st-carlton-1-e1745562024257.jpgGraham his flat rear of 471 Nicholson St Carltonhttps://prahranlegacy.org/wp-content/uploads/2025/04/moratorium-steps.jpgMoratorium stepshttps://prahranlegacy.org/wp-content/uploads/2025/04/moratorium-1.jpgMoratorium 1https://prahranlegacy.org/wp-content/uploads/2025/04/flounders-from-howe.jpgFlounders from HoweGillian Flounders in Howe New Photography Australia, p.7https://prahranlegacy.org/wp-content/uploads/2025/04/image-1.jpegimageBill Henson (2018-19) Untitled, CL GW SH3 N15B, archival inkjet pigment print, 127 x 180 cm edition of 5 + 2 APhttps://prahranlegacy.org/wp-content/uploads/2025/04/mary-anne-gembrook-44.jpgMary + Anne, Gembrook 44Mary and Anne, Gembrookhttps://prahranlegacy.org/wp-content/uploads/2025/04/image.jpegimagePaul Cox (1968) Gembrook 2, silver gelatin print 20.2 x 31.2 cm. Museum of Australian Photography, City of Monash Collectionhttps://prahranlegacy.org/wp-content/uploads/2025/04/graham-392-11-1.jpgBoys on Bike, Parkville, Melbourne, 1971Boys on Bike, Parkville, Melbourne, 1971https://prahranlegacy.org/wp-content/uploads/2025/04/graham-376-12-1.jpgMelbourne Show, Ascot Vale, Victoria, 1971Melbourne Show, Ascot Vale, Victoria, 19712025-04-26T06:11:54+00:00monthlyhttps://prahranlegacy.org/2025/03/19/the-book/https://prahranlegacy.org/wp-content/uploads/2025/03/reisberg-cllage.jpgReisberg cllagehttps://prahranlegacy.org/wp-content/uploads/2025/03/1-quirk-p_cox-exhibition-photographers-gallery-1975.jpgPhotographer Paul Cox & Rod McNicol at the opening of his ExhibiPhil Quirk (1975) Paul Cox and Rod McNicol at the opening of his Exhibition Human Still Lives from Nepal at The Photographers Gallery https://prahranlegacy.org/wp-content/uploads/2025/03/jerrems-faust-brummels-1975.jpgJerrems Faust Brummels 1975Photographer unknown (1975) Beatrice Faust interviews Carol Jerrems at Brummels galleryhttps://prahranlegacy.org/wp-content/uploads/2025/03/19-quirk_students-peter-johnson-peter-burgess-paul-cox-unknown-potter-prahran-_1972.jpgStudents Peter Johnson, Peter Burgess, Paul Cox & Unknown PotterPhil Quirk (1972) Students Peter Johnson, Peter Burgess, Paul Cox and unknown potterhttps://prahranlegacy.org/wp-content/uploads/2025/03/pb_1970s_1978-charles-gatewood-sidetripping-at-brummels.jpgPB_1970s_1978 Charles Gatewood Sidetripping at BrummelsPeter Bowes (1978) Visitor to Charles Gatewood exhibition at Brummels Galleryhttps://prahranlegacy.org/wp-content/uploads/2025/03/screenshot-2025-03-18-at-10.45.59-pm.pngScreenshot 2025-03-18 at 10.45.59 pmCharles Gatewood (1973) New Orleanshttps://prahranlegacy.org/wp-content/uploads/2025/03/screenshot-2025-03-18-at-6.12.32-pm.pngScreenshot 2025-03-18 at 6.12.32 pmA portfolio of publications printed by Wilco Art Bookshttps://prahranlegacy.org/wp-content/uploads/2025/03/text.jpgtextNanette Carter's essay. The bold type throughout the book allows those of us who need them to set aside our chemist-shop reading glasses https://prahranlegacy.org/wp-content/uploads/2025/03/basement-book.jpgBasement bookhttps://prahranlegacy.org/wp-content/uploads/2025/03/pic_spread.jpgpic_spreadA spread from the chapter by curator Stella Loftus-Hills Finding their voices on the street, from The Basement2025-03-19T11:12:58+00:00monthlyhttps://prahranlegacy.org/2025/03/07/the-lecturers-gordon-delisle/https://prahranlegacy.org/wp-content/uploads/2025/03/cranky-spread.jpgScreenshotScreenshothttps://prahranlegacy.org/wp-content/uploads/2025/03/the-bulletin-december-12-1970.jpgTHE BULLETIN, December 12, 1970Advertisement in The Bulletin, 12 December 1970https://prahranlegacy.org/wp-content/uploads/2025/03/delisle-melbourne-cover.jpgDe'Lisle Melbourne coverWhite, Osmar & De Lisle, Gordon (1968) Melbourne. Hill of Content, Melbournehttps://prahranlegacy.org/wp-content/uploads/2025/03/melb-inside-sprd.jpgMelb inside sprdMelbourne. Inside spreadhttps://prahranlegacy.org/wp-content/uploads/2025/03/australian-womens-weekly-29-may-1968-page-41.jpgAustralian Women's Weekly 29 May 1968, page 41Australian Women's Weekly 29 May 1968, page 41https://prahranlegacy.org/wp-content/uploads/2025/03/the_age_1968_04_25_page_3.jpgThe_Age_1968_04_25_Page_3Prime Minister John Gorton's wife Bettina launches the book Melbourne. The Age, 25 April 1968, p.3https://prahranlegacy.org/wp-content/uploads/2025/03/cranky-1.jpgCrankyhttps://prahranlegacy.org/wp-content/uploads/2025/03/lin-whitehead-by-gordon-de-lisle.-taken-1970.jpgLin Whitehead by Gordon De Lisle. Taken 1970Gordon De'Lisle (1970) Lin Whitehead. Silver gelatin printhttps://prahranlegacy.org/wp-content/uploads/2025/03/image-7.jpegimageJulia Margaret Cameron (1872) Pomona (Alice Liddell). Albumen silver print from glass negativehttps://prahranlegacy.org/wp-content/uploads/2025/03/cranky.jpgCrankyNicholson, Joyce, and Gordon De Lisle. 1965. Cranky, the Baby Australian Camel. Melbourne: Lansdowne.2025-03-18T04:25:21+00:00monthlyhttps://prahranlegacy.org/2025/03/05/opening/https://prahranlegacy.org/wp-content/uploads/2025/03/1_img_2784.jpg1_IMG_2784https://prahranlegacy.org/wp-content/uploads/2025/03/5_img_2812.jpg5_IMG_2812https://prahranlegacy.org/wp-content/uploads/2025/03/2_img_2802.jpg2_IMG_2802https://prahranlegacy.org/wp-content/uploads/2025/03/3_img_2776.jpg3_IMG_2776https://prahranlegacy.org/wp-content/uploads/2025/03/img_8991.jpegIMG_8991https://prahranlegacy.org/wp-content/uploads/2025/03/4_img_2827.jpg4_IMG_2827The Prahran Legacy curatorial team (L–R) Colin Abbott, Phil Quirk, Merle Hathaway, Peter Leiss, James McArdle, Mimmo Cozzolinohttps://prahranlegacy.org/wp-content/uploads/2025/03/img_8330-copy-e1740899699994.jpgIMG_8330 copyPhoto: Lorena Carringtonhttps://prahranlegacy.org/wp-content/uploads/2025/03/screenshot-2025-03-02-at-6.00.00e280afpm.pngScreenshot 2025-03-02 at 6.00.00 PM2025-06-08T08:00:21+00:00monthlyhttps://prahranlegacy.org/2024/02/23/the-alumni-steven-lojewski/https://prahranlegacy.org/wp-content/uploads/2024/02/self-portrait-flood-st-2017-.jpgSelf Portrait, Flood St, 2017-Steven Lojewski (2017) Self Portrait, Flood St.https://prahranlegacy.org/wp-content/uploads/2024/02/image-4.jpegimageMark Hinderaker(1980) Steven Lojewski, gelatin silver photograph 16.6 × 11.4 cm. Department of Australian Photography, National Gallery of Victoria, Melbourne. Presented through the NGV Foundation by Janice Hinderaker, Member, 2003https://prahranlegacy.org/wp-content/uploads/2024/02/stephenlowjeski1977.jpgStephen LowjeskiStephen Lowjeski 1977 Rolleiflex 2.8 Planar lens2025-02-16T23:24:06+00:00monthlyhttps://prahranlegacy.org/2024/06/20/the-alumni-gerard-groeneveld/https://prahranlegacy.org/wp-content/uploads/2024/06/groeneveld-brummels.jpgGroeneveld BrummelsGerard Groenevald, undated poster for Turning Point exhibition at Brummels.https://prahranlegacy.org/wp-content/uploads/2024/06/prahan035-1.jpgprahan035Gerard Groeneveld (n.d.) untitled photograph exhibited in Prahran 40 at MAGNET 2014https://prahranlegacy.org/wp-content/uploads/2024/06/philip-morris.jpgScreenshotLes Mason (1970s) design for single colour poster printed on semi-translucent tracing paper.https://prahranlegacy.org/wp-content/uploads/2024/06/gerard-2.jpgGerard 2https://prahranlegacy.org/wp-content/uploads/2024/06/prahan035.jpgprahan035Gerard Goeneveld (date unknown) untitled, exhibited in Prahran 40.https://prahranlegacy.org/wp-content/uploads/2024/06/two-win-world-trips-c2a7-photo-contest-friday-december-7-1973.jpgTwo win world trips §' photo contest Friday, December 7, 1973https://prahranlegacy.org/wp-content/uploads/2024/06/beatrice-faust-the-age-24-apr-1978-2.jpgBeatrice Faust The Age 24 Apr 1978- 2.Beatrice Faust, review in The Age 24 April 1978 p.2https://prahranlegacy.org/wp-content/uploads/2024/06/dutch-weekly-sydney-nsw-1993-2004-mon-16-apr-2001-page-12.jpgScreenshotScreenshothttps://prahranlegacy.org/wp-content/uploads/2024/06/dutch-australian-weekly-fri-26-oct-1973-page-2-.jpgScreenshotScreenshothttps://prahranlegacy.org/wp-content/uploads/2024/06/dutch-australian-weekly-fri-17-may-1974-page-3-.jpgScreenshotScreenshot2025-01-16T08:08:40+00:00monthlyhttps://prahranlegacy.org/2025/01/09/the-alumni-andrew-wittner/https://prahranlegacy.org/wp-content/uploads/2025/01/entranceway-prahran-1974.jpgEntranceway, Prahran 1974https://prahranlegacy.org/wp-content/uploads/2025/01/paul-cox-at-home-1974.jpgPaul Cox At Home 1974Andrew Wittner (1974) Paul Cox editing at home accompanied by Norman Kayehttps://prahranlegacy.org/wp-content/uploads/2025/01/portrait-of-bruce-eaton-1974.jpgAndrew Wittner (1974) Portrait of Bruce Eaton, a fellow student at PCAE in fine arthttps://prahranlegacy.org/wp-content/uploads/2025/01/waiting-at-tullamarine.jpgTravellers at TullamarineIn the departure lounge of Tullamarine Airport, Melbourne (I attended PCAE 1973-76, Major subject Photography)https://prahranlegacy.org/wp-content/uploads/2025/01/fishing-at-stkilda-pier-1974.jpgFishing at St Kilda Pier, 1974Andrew Wittner (1974) Fishing at St Kilda Pier,https://prahranlegacy.org/wp-content/uploads/2025/01/anchor-place-doorway.jpgAnchor-Place-DoorwayAndrew Wittner (c.1975) Doorway, Anchor Placehttps://prahranlegacy.org/wp-content/uploads/2025/01/portrait-of-jon-conte.jpgPortrait of Jon ConteAndrew Wittner (c.1975) Portrait of Jon Contehttps://prahranlegacy.org/wp-content/uploads/2025/01/nude-model-class-pcae-1974.jpgNude Model, PCAE, 1974In 1974 Athol Shmith organised a nude photography class at the college. This photograph was taken outside against one of the school walls. The model was a girl called Sue who was a past student.https://prahranlegacy.org/wp-content/uploads/2025/01/caravan-park021.jpgCARAVAN PARK021https://prahranlegacy.org/wp-content/uploads/2025/01/boxes-n-stuff019.jpgBOXES N STUFF0192025-01-15T04:59:45+00:00monthlyhttps://prahranlegacy.org/2025/01/09/6307/https://prahranlegacy.org/wp-content/uploads/2025/01/23.jpgScreenshotMichael Sankey, from Living on Larrakia Land and the close surrounds (2024)https://prahranlegacy.org/wp-content/uploads/2025/01/17.jpgScreenshotScreenshotMichael Sankey, from Living on Larrakia Land and the close surrounds (2024)https://prahranlegacy.org/wp-content/uploads/2025/01/5.jpgScreenshotMichael Sankey, from Living on Larrakia Land and the close surrounds (2024)https://prahranlegacy.org/wp-content/uploads/2025/01/1.jpgScreenshotMichael Sankey, from Living on Larrakia Land and the close surrounds (2024)https://prahranlegacy.org/wp-content/uploads/2025/01/chronicle-frontpage-93c.jpgchronicle-frontpage-93chttps://prahranlegacy.org/wp-content/uploads/2025/01/ambasdor.jpgAMBASDORMicheal Sankey (1990s) The Ambassadorshttps://prahranlegacy.org/wp-content/uploads/2025/01/differingviews1996gallery.jpgdifferingviews1996galleryhttps://prahranlegacy.org/wp-content/uploads/2025/01/thefall.jpgTHEFALLMichael Sankey (1990s) The Fall from series Differing Views https://prahranlegacy.org/wp-content/uploads/2025/01/crowsnestfalls_sm.jpgcrowsnestfalls_smMichael Sankey (https://prahranlegacy.org/wp-content/uploads/2025/01/queenscliff02-83.jpgqueenscliff02-83Michael Sankey (1983) Queenscliff2025-01-14T23:15:56+00:00monthlyhttps://prahranlegacy.org/2023/12/20/the-alumni-jacqueline-mitelman/2024-11-26T05:27:13+00:00monthlyhttps://prahranlegacy.org/2024/10/23/the-alumni-jon-conte/https://prahranlegacy.org/wp-content/uploads/2024/10/conte-at-john-brashs-2017.jpgNative Owl (Powerful Owl) 1979Phil Quirk (2017) Jon Conte (left) holding an enlargement of his Native Owl (Powerful Owl) image of 1979https://prahranlegacy.org/wp-content/uploads/2024/10/joe-mastroianni-c.2017-jon-conte-editing-header.jpgJoe Mastroianni (c.2017) Jon Conte editing - headerhttps://prahranlegacy.org/wp-content/uploads/2024/10/jonconteptcomingdown1w-1.jpgJonContePTcomingDown1whttps://prahranlegacy.org/wp-content/uploads/2024/10/self-portrait-2016.jpgScreenshotScreenshothttps://prahranlegacy.org/wp-content/uploads/2024/10/jc_22-stacy-e1729666816895.jpgStacyJon Conte (1976) Stacyhttps://prahranlegacy.org/wp-content/uploads/2024/10/st-john-street-prahran.jpgScreenshotThe same view from St John Street in 2024.https://prahranlegacy.org/wp-content/uploads/2024/10/85-hamilton-st-yarraville-victoria.jpgScreenshot85 Hamilton St Yarraville, Victoriahttps://prahranlegacy.org/wp-content/uploads/2024/10/image-1.pngimagehttps://prahranlegacy.org/wp-content/uploads/2024/10/jigsaw.jpgjigsawCarol Jerrems (1970-73) Correspondence to Jon Contehttps://prahranlegacy.org/wp-content/uploads/2024/10/image.pngimageCarol Jerrems (1 October 1971) Letter to Jon Conte2024-10-26T21:10:40+00:00monthlyhttps://prahranlegacy.org/2024/05/06/the-lecturers-ian-mckenzie/https://prahranlegacy.org/wp-content/uploads/2024/05/new-building-under-construciton-crop.jpgNew building under construciton cropPrahran Technical School Handbook 1968, p.3, "Nearing completion: Diploma students in Art and Design will work in this modern building in 1968" https://prahranlegacy.org/wp-content/uploads/2024/05/1st-yr-fashion-drawing-crop.jpg1st yr fashion, drawing cropIan McKenzie (1968) photographs of 1st year student work for the Prahran Technical School Handbook 1968https://prahranlegacy.org/wp-content/uploads/2024/05/advanced-studies-works-crop.jpgadvanced studies works cropIan McKenzie (1968) photographs of Advanced Studies work for the Prahran Technical School Handbook 1968https://prahranlegacy.org/wp-content/uploads/2024/05/art-division-art-training-1968-crop.jpgArt Division Art Training 1968 cropIan McKenzie (1968) Graphic Design lecturer (right) and student. Illustration for the Prahran Technical School Handbook 1968https://prahranlegacy.org/wp-content/uploads/2024/05/cover-crop.jpgcover cropPrahran Technical School Handbook 1968, cover image : Glass in mural design by unnamed Advanced Studies student https://prahranlegacy.org/wp-content/uploads/2024/05/industrial-design-crop.jpgIndustrial design cropIan McKenzie (1968) Industrial Design student work for the Prahran Technical School Handbook 1968https://prahranlegacy.org/wp-content/uploads/2024/05/insdie-back-cover-credits-winston-thomas-and-ian-mck-crop.jpginsdie back cover credits Winston Thomas and Ian McK cropPrahran Technical School Handbook 1968, credits, last page. Portion of rear cover shows 'A visual svmbol for music • First year graphic design'2024-10-22T07:18:13+00:00monthlyhttps://prahranlegacy.org/2024/09/16/the-alumni-richard-muggleton/https://prahranlegacy.org/wp-content/uploads/2024/09/ashton-class-group.jpgAshton class groupRobert Ashton (c.1969) L to R Carol Davies, Peter Crowe, Carol Jerrems, Richard Muggletonhttps://prahranlegacy.org/wp-content/uploads/2024/09/film-crew-st-kilda-stn-crop.jpgFilm Crew St Kilda Stn cropIan McKenzie (1968) Film crew, Richmond station. Prahran Technical School Handbook 1968https://prahranlegacy.org/wp-content/uploads/2024/09/shamrock-now.jpgThe Shamrock nowThe Shamrock todayhttps://prahranlegacy.org/wp-content/uploads/2024/09/shamrock.jpgScreenshotUnknown photographer (1890-92) The Shamrock Hotel, 80 Bank Street-west, South Melbourne also named the 'Shannon & Shamrock'. Image courtesy Royal Historical Society of Victoria.https://prahranlegacy.org/wp-content/uploads/2024/09/muggleton-in-jerrems.jpgMuggleton in Jerremshttps://prahranlegacy.org/wp-content/uploads/2024/09/1001362-copy.jpg1001362 copyRichard Muggleton (late 1960s) Three children find a mud pit, Flowerdale, Victoria https://prahranlegacy.org/wp-content/uploads/2024/09/1001361-copy.jpg1001361 copyRichard Muggleton (n.d.) Memorial sculpture fragment set into wall in Carlton Cemetery https://prahranlegacy.org/wp-content/uploads/2024/09/1001360-copy.jpg1001360 copyRichard Muggleton (undated) Peter Booth and childrenhttps://prahranlegacy.org/wp-content/uploads/2024/09/1001359-copy.jpg1001359 copyRichard Muggleton (1971) Margaret, aged 10, in partially renovated house in Canterburyhttps://prahranlegacy.org/wp-content/uploads/2024/09/1001358-copy.jpg1001358 copyRichard Muggleton (1970s) Local child and fireman in burning church hall cnr Nicholson ada Princes Sts, North Carlton 2024-10-21T03:40:20+00:00monthlyhttps://prahranlegacy.org/2024/06/20/discussion-photography-in-the-art-school/https://prahranlegacy.org/wp-content/uploads/2024/06/louis_daguerre_2.jpgLouis_Daguerre_2Jean-Baptiste Sabatier-Blot (1844) Portrait of Louis Daguerre, daguerreotype 9.1 cm x 6.9 cm George Eastman Museum. Gift of Eastman Kodak Company: ex-collection Gabriel Cromerhttps://prahranlegacy.org/wp-content/uploads/2024/06/screenshot-2024-06-16-at-9.55.14-pm.pngScreenshot 2024-06-16 at 9.55.14 pmhttps://prahranlegacy.org/wp-content/uploads/2024/06/screenshot-2024-06-15-at-7.43.31-pm.pngScreenshot 2024-06-15 at 7.43.31 pmhttps://prahranlegacy.org/wp-content/uploads/2024/06/paddy-carroll-tjungurrayi.jpgPaddy Carroll TjungurrayiJacqueline Mitelman,(1986) Paddy Carroll Tjungurrayi, silver gelatin photograph 34.7 x 24.3 cm. Castlemaine Art Museum, purchased 1994. Accession number PC73https://prahranlegacy.org/wp-content/uploads/2024/06/preview-7.jpegpreview-7Paul Cox (1960-75) Untitled gelatin silver photograph 46.1 h x 36.7 w cm. National Gallery of Australia https://prahranlegacy.org/wp-content/uploads/2024/06/cox-nepal.jpgCox NepalPaul Cox (c.1965) from his book Human Still Lives from Nepal, 1970https://prahranlegacy.org/wp-content/uploads/2024/06/carol-jerrems-1974-jennie-boddington-with-melanie-le-guay-22henri-cartier-bresson-exhibition22-national-gallery-of-victoria-from-jerrems-a-book-about-australian-women.jpgCarol Jerrems (1974) Jennie Boddington, with Melanie Le Guay, Henri Cartier-Bresson Exhibition, National Gallery of Victoria, from Jerrems' A Book About Australian WomenCarol Jerrems (1974) Jennie Boddington, with Melanie Le Guay, Henri Cartier-Bresson Exhibition, National Gallery of Victoria, from Jerrems' A Book About Australian Womenhttps://prahranlegacy.org/wp-content/uploads/2024/06/preview-6.jpegpreview-6Bill Henson (1977) from untitled sequence, gelatin silver photograph, 30.3 h x 26.7 w https://prahranlegacy.org/wp-content/uploads/2024/06/image-6.jpegimagehttps://prahranlegacy.org/wp-content/uploads/2024/06/jerrems-faust-brummels-1975.jpgJerrems Faust Brummels 1975Rennie Ellis (1975) Jerrems and Age newspaper critic Beatrice Faust2024-09-01T07:32:09+00:00monthlyhttps://prahranlegacy.org/2024/08/19/the-alumni-nino-martinetti/https://prahranlegacy.org/wp-content/uploads/2024/08/nino-coxs-house-1975.jpgNino-Cox's-House-1975Kim Corbel (1975) Nino Martinetti at Paul Cox's househttps://prahranlegacy.org/wp-content/uploads/2024/08/nino-filming-1978-1.jpgNino filming 1978Colin Abbott (1978) Nino filming on location https://prahranlegacy.org/wp-content/uploads/2024/08/martinetti-and-cox-.jpgMartinetti and Coxhttps://prahranlegacy.org/wp-content/uploads/2024/08/pcox12.jpgPCOX12Paul Cox and Nino Martinettihttps://prahranlegacy.org/wp-content/uploads/2024/08/pcox16.jpgPCOX16https://prahranlegacy.org/wp-content/uploads/2024/08/image.jpegimagehttps://prahranlegacy.org/wp-content/uploads/2024/08/ninomartinetti_hall-of-fame.jpgNinoMartinetti_Hall of Famehttps://prahranlegacy.org/wp-content/uploads/2024/08/order002-0015.jpgOrder002-0015Colin Abbott (1970s) Nino Martinetti adjusting a light on sethttps://prahranlegacy.org/wp-content/uploads/2024/08/molokai.jpgScreenshotKate Ceberano and David Wenham in Molokai (1999)https://prahranlegacy.org/wp-content/uploads/2024/08/screenshot-2024-08-19-at-9.29.43-pm.pngScreenshot 2024-08-19 at 9.29.43 pm2024-08-20T00:20:34+00:00monthlyhttps://prahranlegacy.org/2024/08/17/the-alumni-ian-tippett/https://prahranlegacy.org/wp-content/uploads/2024/08/from-kozloff.jpgScreenshotIan Tippett (2014) from I Want You Back series and bookhttps://prahranlegacy.org/wp-content/uploads/2024/08/book-cover-i-want-you-back.jpgTippett, Ian. 2014. I Want You Back. [Thornbury, Vic.]: Perimeter Distribution.https://prahranlegacy.org/wp-content/uploads/2024/08/book-inside.jpgbook insideIan Tippett (2014) I Want You Back, page view https://prahranlegacy.org/wp-content/uploads/2024/08/still-motion-1.jpegstill Motion 1Ian Tippett (2012) Installation of screen-based work Still Motion at C3. HD video 01:15 loop.https://prahranlegacy.org/wp-content/uploads/2024/08/stilll-motion-2.jpegPicture 001Ian Tippett (2012) detail of screen-based work Still Motion at C3https://prahranlegacy.org/wp-content/uploads/2024/08/blackday.jpgblackdayRosalind Middleton's essay overlain one of Ian Tippett's Black Day images in the catalogue for the showhttps://prahranlegacy.org/wp-content/uploads/2024/08/magnolia-flowers.jpgMagnolia flowersIan Tippett (2006) from Magnolia serieshttps://prahranlegacy.org/wp-content/uploads/2024/08/ground-level2.jpgGround Level2Ian Tippett (2005) from Ground Level serieshttps://prahranlegacy.org/wp-content/uploads/2024/08/ground-level1.jpgGround Level1Ian Tippett (2005) from Ground Level serieshttps://prahranlegacy.org/wp-content/uploads/2024/08/bn_sydney03.jpg.webpbn_sydney03.jpg2024-08-18T04:59:34+00:00monthlyhttps://prahranlegacy.org/about/2024-08-15T06:02:43+00:00weekly0.6https://prahranlegacy.org/2024/08/13/discussion-publications/https://prahranlegacy.org/wp-content/uploads/2024/08/header-ashton.jpgHeader Ashtonhttps://prahranlegacy.org/wp-content/uploads/2024/08/image-2.pngimageCarol Jerrems (1976) Rennie Ellis and Robert Ashton, silver gelatin print.https://prahranlegacy.org/wp-content/uploads/2024/08/image-1.pngimageRobert Ashton (2020) Biosphere 9, photogravure, 400mm x 500mmhttps://prahranlegacy.org/wp-content/uploads/2024/08/hollow-oblique.jpeghollow obliquehttps://prahranlegacy.org/wp-content/uploads/2024/08/slide883.jpgslide883Robert Ashton (1974) Gertrude Street, Fitzroyhttps://prahranlegacy.org/wp-content/uploads/2024/08/launch-crowd.jpgLaunch crowdAudience at the launch of Robert Ashton's book in the Fitzroy Town Hallhttps://prahranlegacy.org/wp-content/uploads/2024/08/jerrems-outback-press-1974.jpgJerrems Outback Press 1974Carol Jerrems (1974) Outback Press. Colin Talbot (writer), Alfred Milgrom (publisher), Morry Schwartz (entrepreneur), Mark Gillespie (singer/songwriter) in Fitzroy, gelatin silver photograph 15.3 h x 23.0 w cm, edition 1/9, inscribed recto, l.l., black felt tip pen, “OUTBACK PRESS, 1/9 recto l.r., black felt tip pen, “JERREMS, 1974.” Gift of Mrs Joy Jerrems 1981 National Gallery of Australia Accession no NGA 81.3103. © Ken Jerrems and the Estate of Lance Jerremshttps://prahranlegacy.org/wp-content/uploads/2024/08/to-go-hell-whereto.jpgTo GO HELL WHERE,TORobert Ashton (1973) Message on verandahhttps://prahranlegacy.org/wp-content/uploads/2024/08/ashtonrobert_policeman-kabul_1972.jpgAshton,Robert_Policeman, Kabul_1972Robert Ashton (1972) Policeman, Kabulhttps://prahranlegacy.org/wp-content/uploads/2024/08/ashtonrobert_ancestors_1972.jpgAshton,Robert_Ancestors_1972Robert Ashton (1972) Ancestors2024-08-13T05:07:05+00:00monthlyhttps://prahranlegacy.org/2024/08/02/the-alumni-colin-abbott/https://prahranlegacy.org/wp-content/uploads/2024/08/bosistos-from-cozzolino.jpgBosisto's from CozzolinoBosisio's advertisement c.1898, from Mimmo Cozzolino (1980) Symbols of Australia, Penguin Bookshttps://prahranlegacy.org/wp-content/uploads/2024/08/press.jpgPressThe Albert Frankenthal rotogravure press that was purchased for Light Vision https://prahranlegacy.org/wp-content/uploads/2024/08/waiting-under-southern-skies.jpgWaiting Under Southern SkiesAbbott, Colin & Spowart, Doug, (writer of supplementary textual content.) (2019). Waiting under southern skies. T&G Publishing, Werona : Victoria https://prahranlegacy.org/wp-content/uploads/2024/08/invite.jpginviteInvitation to the 2014 Exhibition Prahran 40 at Photonet New North Gallery https://prahranlegacy.org/wp-content/uploads/2024/08/john-wong-from-howe.jpgJohn Wong from HoweJohn Wong (1973) 1973 Aquarius Festival, Nimbin, from New Photography Australia : A Selective Survey p, 34https://prahranlegacy.org/wp-content/uploads/2024/08/james-apple-photogram.jpgJames Apple photogramJames McArdle (1974) Photogram of an apple (seen behind John Cato's head above)https://prahranlegacy.org/wp-content/uploads/2024/08/jess-peter.jpgJess + PeterColin Abbott (c.1974) Jess Ward (L) and Peter Bowes with Leica https://prahranlegacy.org/wp-content/uploads/2024/08/at-jess-wards-gippsland.jpgAt Jess Ward's GippslandColin Abbott (1974/75) Student trip to Jess Ward's old butter factory in Gippslandhttps://prahranlegacy.org/wp-content/uploads/2024/08/gmh-factory.jpgGMH factoryColin Abbott (1975) College excursion to GMH factory at Fshermans Bendhttps://prahranlegacy.org/wp-content/uploads/2024/08/marcia-hines.jpgMarcia HinesColin Abbott (1974) Marica Hines at O Week, Prahran College carpark2024-08-04T11:48:28+00:00monthlyhttps://prahranlegacy.org/2024/07/29/the-alumni-robert-colvin/https://prahranlegacy.org/wp-content/uploads/2024/07/at-minnanthu-2020.jpgAt Minnanthu 2020Robert Colvin (2020) At Minnanthu, Myanmar https://prahranlegacy.org/wp-content/uploads/2024/07/robert-colvin-2017-bagan.jpgRobert Colvin (2017) BaganRobert Colvin (2017) Bagan, Myanmarhttps://prahranlegacy.org/wp-content/uploads/2024/07/silent-scream.jpgSilent ScreamOppen, Monica, and Peter Lyssiotis. 2011. The Silent Scream : Political and Social Comment in Books by Artists. Petersham, N.S.W.: Ant Press.https://prahranlegacy.org/wp-content/uploads/2024/07/temple-of-qasr-dush.jpgTemple of Qasr DushRobert Colvin (1997) Temple of Qasr Dush, Egypt, silver-gelatin print,liquid emulsion negativehttps://prahranlegacy.org/wp-content/uploads/2024/07/bashendidakleh-oasis-1997-silver-gelatin-printliquid-emulsion-negative.jpgBashendi,Dakleh Oasis, 1997 silver-gelatin print,liquid emulsion negativeRobert Colvin (1997) Bashendi,Dakleh Oasis. Silver-gelatin print,liquid emulsion negativehttps://prahranlegacy.org/wp-content/uploads/2024/07/ismant-el-khereb-1997.jpgIsmant el-Khereb 1997Robert Colvin 1997 Ismant el-Khereb, Kellis ancient cityhttps://prahranlegacy.org/wp-content/uploads/2024/07/allens-sweets.jpgAllen's SweetsRobert Colvin (late 1980s) Allen's Sweets neon sign. Courtesy State Library of Victoria https://prahranlegacy.org/wp-content/uploads/2024/07/realtime-36-april-may-2000-p40.jpgRealTime 36 April - May 2000 p40RealTime 36 April - May 2000 p.40https://prahranlegacy.org/wp-content/uploads/2024/07/clifton-hill-1997.jpgClifton Hill 1997Robert Colvin (1997) Clifton HIll, shown in Minimal at the Australian Centre for Photography, April-May 2000https://prahranlegacy.org/wp-content/uploads/2024/07/remembrance-book.jpgRemembrance bookLyssiotis, Peter & Strasser, Theo & Colvin, Robert & Masterthief (2009). Remembrance (Limited ed. of 10). Masterthief, [Melbourne]2024-07-29T04:40:08+00:00monthlyhttps://prahranlegacy.org/2024/04/10/the-alumni-lynette-zeeng/2024-07-28T01:06:51+00:00monthlyhttps://prahranlegacy.org/2024/05/10/the-alumni-rob-gale/https://prahranlegacy.org/wp-content/uploads/2024/05/83_gale_rob_close-to-home_brunswick.jpg83_Gale_Rob_Close to Home_BrunswickRob Gale, from Close to Home series https://prahranlegacy.org/wp-content/uploads/2024/05/82_gale_rob_close-to-home_brunswick.jpg82_Gale_Rob_Close to Home_BrunswickRob Gale, from Close to Home series https://prahranlegacy.org/wp-content/uploads/2024/05/68_gale_rob_commercial_bhp_brian-loton-chairman-john-prescottmd.jpg68_Gale_Rob_Commercial_BHP_Brian Loton (Chairman) & John Prescott(MD)Rob Gale BHP—Brian Loton and John Prescott https://prahranlegacy.org/wp-content/uploads/2024/05/70_gale_rob_commercial_baillieu-myer.jpg70_Gale_Rob_Commercial_Baillieu MyerRob Gale, Baillieu (Bails) Myerhttps://prahranlegacy.org/wp-content/uploads/2024/05/60_gale_rob_commercial_elle-goulding-2016.jpgEllie Goulding, Melbourne,Rob Gale (2016) Ellie Goulding, Melbournehttps://prahranlegacy.org/wp-content/uploads/2024/05/71_gale_rob-_mythical-images-and-natural-systems_wamilis-waratah_2007-e1721963821656.jpg71_Gale_Rob _Mythical Images and Natural Systems_Wamili's Waratah_2007Rob Gale (2007) Wamili's Waratah from Mythical Images and Natural Systems. https://prahranlegacy.org/wp-content/uploads/2024/05/44_gale_rob_commercial_mccarther-river-nt-aust.jpg44_Gale_Rob_Commercial_McCarther River NT AustRob Gale McCarther River NT Aust2024-07-26T03:30:57+00:00monthlyhttps://prahranlegacy.org/2024/06/06/the-alumni-martin-munz/2024-07-26T01:30:04+00:00monthlyhttps://prahranlegacy.org/2024/07/16/the-alumni-moira-joseph/https://prahranlegacy.org/wp-content/uploads/2024/07/pearl.jpgPearlMoira Joseph (1994) frames from Pearl, 17 mins, 16mmhttps://prahranlegacy.org/wp-content/uploads/2024/07/leader-8-jan-97.jpgScreenshotLeader newspaper, 8 January 1997https://prahranlegacy.org/wp-content/uploads/2024/07/sx-14-april-99.jpgScreenshotScreenshothttps://prahranlegacy.org/wp-content/uploads/2024/07/ripponlea-1998.jpgScreenshotLeader newspaper, 5 January 1998https://prahranlegacy.org/wp-content/uploads/2024/07/open-your-eyes-1994.jpgOpen Your Eyes 1994Moira Joseph (1994) Open Your Eyes, Super 8, 3 min.https://prahranlegacy.org/wp-content/uploads/2024/07/the-light-1999.jpgThe Light 1999Moira Joseph (1999) The Lighthttps://prahranlegacy.org/wp-content/uploads/2024/07/motocycle-ride.jpgScreenshotMoira Joseph (1992) Motorcycle Ride, 3 mins, Super 8https://prahranlegacy.org/wp-content/uploads/2024/07/sx14april99.jpgScreenshotScreenshothttps://prahranlegacy.org/wp-content/uploads/2024/07/prahran-3rd-year-dandenongs-1977.jpgPrahran 3rd Year Dandenongs 1977https://prahranlegacy.org/wp-content/uploads/2024/07/pier-walk.jpgScreenshotMoira Joseph (1991) Pier Walk, 3 minute Super8 film from stills2024-07-20T22:50:30+00:00monthlyhttps://prahranlegacy.org/2023/12/17/the-alumni-philip-ingamells/https://prahranlegacy.org/wp-content/uploads/2023/12/screenshot-2024-07-10-at-2.56.44-pm.pngScreenshot 2024-07-10 at 2.56.44 pmMount Alexander Diggings Committee, Robyn Annear, David Bannear and Philip Ingamells (1999) Discovering the Mount Alexander Diggings. Publisher: The Committee, [Castlemaine, Vic.], 1999. ISBN: 9780646381824,https://prahranlegacy.org/wp-content/uploads/2023/12/image-14.jpegimageDavid Tatnall (1989) Philip Ingamells, Five Mile Beach Track, Wilsons Promontory National Parkhttps://prahranlegacy.org/wp-content/uploads/2023/12/1972-the-mild-ones.jpg1972 The MILD ONESMiklos Bertok (1972) The Mild Ones with (L-R) Duncan Frost, Peter Leiss and Phil Ingamells in Thomas Street at the NW corner of the Art and Design Buildinghttps://prahranlegacy.org/wp-content/uploads/2023/12/frost_duncan_phillip_ingamells_1970.jpgFrost_Duncan_Phillip_Ingamells_1970Duncan Frost (1970) Phillip Ingamells2024-07-10T05:01:23+00:00monthlyhttps://prahranlegacy.org/2023/12/27/the-alumni-mimmo-cozzolino/2024-07-09T03:43:42+00:00monthlyhttps://prahranlegacy.org/2024/01/08/the-alumni-viki-petherbridge/2024-07-08T00:58:36+00:00monthlyhttps://prahranlegacy.org/2024/03/10/the-lecturers-bryan-gracey/https://prahranlegacy.org/wp-content/uploads/2024/03/the-age-1854-2000-south-melbourne-victoria.-17-june-1977-50.-.jpgThe Age (1854-2000); South Melbourne, Victoria. 17 June 1977- 50.Kerry Wakefield 'Saying Cheese can be a trap', The Age 17 June 1977, p.50.2024-07-03T05:18:16+00:00monthlyhttps://prahranlegacy.org/2024/05/17/the-alumni-sandra-graham/https://prahranlegacy.org/wp-content/uploads/2024/05/sandra-g-students-keeper-of-dreams.jpgSandra G Student's Keeper of DreamsKeeper of Dreamshttps://prahranlegacy.org/wp-content/uploads/2024/05/the-sun-1977-copy.jpgThe Sun 1977 copy2024-06-30T23:43:00+00:00monthlyhttps://prahranlegacy.org/2024/06/30/the-alumni-sue-budds/https://prahranlegacy.org/wp-content/uploads/2024/06/budds-suzanne-_-langford-lever-station-hotel-prahran-_1972_lg.jpgSuzanne Budds (1972) Langford Lever Station Hotel Prahran _1972_lgSuzanne Budds (1972) Langford Lever, Station Hotel, Prahranhttps://prahranlegacy.org/wp-content/uploads/2024/06/de108273.jpgDe108273Athol SHMITH (1973) Anamorphic IV, type C photograph 50.7 × 40.4 cm. Department of Australian Photography, National Gallery of Victoria, Melbourne. Presented through The Art Foundation of Victoria by the Shmith Family, Governor, 1996. © Estate of Athol Shmithhttps://prahranlegacy.org/wp-content/uploads/2024/06/screenshot-2024-06-30-at-1.35.25-pm.pngScreenshot 2024-06-30 at 1.35.25 pmFrom: How To Get The Best Out Of Your Brownie 127 Camera With 'Dakon' Lens. Kodak Limited Londonhttps://prahranlegacy.org/wp-content/uploads/2024/06/unknown-photographer-_-christina-de-water-suzanne-budds-_-19712.jpgPhotographer Unknown. Christina and Suzanne. 1971.Photographer Unknown (1971) Christina de Water and Suzanne.https://prahranlegacy.org/wp-content/uploads/2024/06/taylor-neil_-survival-kit-shoot-_1975.jpgTaylor Neil_ Survival Kit shoot _1975Taylor Neil (1975) Survival Kit shoothttps://prahranlegacy.org/wp-content/uploads/2024/06/taylor-neil_-ianphil-sue-_1975-.jpgTaylor Neil_ Ian,Phil & Sue _1975Taylor Neil (1975) Survival Kit shoot, Ian, Phil, Sue https://prahranlegacy.org/wp-content/uploads/2024/06/shmith-athol-_-anamorphic-series-_-1973-.jpegShmith Athol _ Anamorphic Series _ 1973https://prahranlegacy.org/wp-content/uploads/2024/06/quirk-phil_survival-kit-_-1975.jpgQuirk Phil_Survival Kit _ 1975Phil Quirk(1975) Survival Kithttps://prahranlegacy.org/wp-content/uploads/2024/06/pq_bw-34.jpgStereoscope photograph for a group exhibition at Melbourne UniveThe stereoscope photograph was made to go with a survival kit (the theme of the exhibition) The subject is Sue Budds a student in my year at Prahran CAE. The photograph was taken in the Dandenong Ranges using 2 Hassleblads on a tripod and bracket. The cameras approximately 65mm apart and fired almost simultaneouslyhttps://prahranlegacy.org/wp-content/uploads/2024/06/pq_37-bw-1974-resi.jpgPrahran Student Sue Budds in costume for a stereoscope photograpPrahran Student Sue Budds in costume for a stereoscope photograph by Philip Quirk Dandenong Ranges Victoria 19742024-06-30T09:02:30+00:00monthlyhttps://prahranlegacy.org/2024/06/26/the-alumni-geoff-strong/https://prahranlegacy.org/wp-content/uploads/2024/06/strong-geoff_joy-with-her-seaford-vic-november-1976-m-1.jpgStrong Geoff_Joy with her Seaford Vic, November 1976 MGeoff Strong (November 1976) Joy with her bundle of joy, Seaford Vic.https://prahranlegacy.org/wp-content/uploads/2024/06/strong-geoff_gentle-jail-surfers-paradise-qld-early-1975-k-1.jpgStrong Geoff_Gentle jail, Surfers Paradise Qld, early 1975 KGeoff Strong (early 1975) Gentle jail, Surfers Paradise Qld, https://prahranlegacy.org/wp-content/uploads/2024/06/strong-geoff_friends-on-dicky-beach-sumshine-coast-qld-late-1976-m-1.jpgStrong Geoff_Friends on Dicky Beach, Sumshine Coast Qld, late 1976 MGeoff Strong (late 1976) Friends on Dicky Beach, Sumshine Coast Qld.https://prahranlegacy.org/wp-content/uploads/2024/06/the-age-23-july-1981_10.jpgThe Age 23 July 1981_10Geoff Strong review The Age, 23 July 1981 p.10https://prahranlegacy.org/wp-content/uploads/2024/06/the-age-friday-february-22-1980-p2.jpgTHE AGE, Friday, February 22, 1980 p2Geoff Strong 'State committee to look at abortion laws', The Age, Friday, February 22, 1980 p2https://prahranlegacy.org/wp-content/uploads/2024/06/faust-reviews-strong-brummels-1978.jpgFaust reviews Strong Brummels 1978Beatrice Faust review of Strong's solo show at Brummels Gallery, The Age 16 Feb 1978 p.2. https://prahranlegacy.org/wp-content/uploads/2024/06/pineappple-people-nambour-qld-january-1978-m.-.jpgPineappple people, Nambour Qld, January 1978 M.Geoff Strong (January 1978) Pineappple people, Nambour Qld.https://prahranlegacy.org/wp-content/uploads/2024/06/french-warship-makes-a-friendly-visit-solomon-islands-mid-1977-m.jpgFrench warship makes a friendly visit, Solomon Islands mid 1977 MGeoff Strong (mid-1977) French warship makes a friendly visit, Solomon Islands https://prahranlegacy.org/wp-content/uploads/2024/06/pcae-revolution-001-3-s.jpgPCAE revolution 001-3 sGeoff Strong (1977) PCAE revolutionhttps://prahranlegacy.org/wp-content/uploads/2024/06/portrait-of-two-women-on-a-bus-brisbane-2.jpgPortrait of Two Women on a Bus, Brisbane 2Geoff Strong (1970s) Portrait of Two Women on a Bus, Brisbane2024-08-02T23:38:08+00:00monthlyhttps://prahranlegacy.org/2024/06/28/discussion-abstraction/https://prahranlegacy.org/wp-content/uploads/2024/06/lambeth-paul_still-life-6-1977.jpgLambeth Paul_Still Life #6 1977https://prahranlegacy.org/wp-content/uploads/2024/06/lambeth-paul_still-life-5-1977.jpgLambeth Paul_Still Life #5 1977https://prahranlegacy.org/wp-content/uploads/2024/06/lambeth-paul_still-life-4-1976.jpgObjectless Space 1Paul Lambeth (1976) Objectless Space 4https://prahranlegacy.org/wp-content/uploads/2024/06/lambeth-paul_still-life-3-1975.jpgLambeth Paul_Still Life #3 1975https://prahranlegacy.org/wp-content/uploads/2024/06/lambeth-paul_still-life-1-1975.jpgLambeth Paul_Still Life #1 1975https://prahranlegacy.org/wp-content/uploads/2024/06/lambeth-paul_rachmaninoff-1975.jpgObjectless Space 6 1977https://prahranlegacy.org/wp-content/uploads/2024/06/lambeth-paul_objectless-space-41-1977.jpgLambeth Paul_Objectless Space #41 1977https://prahranlegacy.org/wp-content/uploads/2024/06/lambeth-paul_objectless-space-40-1977.jpgLambeth Paul_Objectless Space #40 1977https://prahranlegacy.org/wp-content/uploads/2024/06/lambeth-paul_objectless-space-39-1977.jpgLambeth Paul_Objectless Space #39 1977Paul Lambeth (1977) Objectless Space 39https://prahranlegacy.org/wp-content/uploads/2024/06/lambeth-paul_objectless-space-38-1977.jpgLambeth Paul_Objectless Space #38 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